Movie Review: Kalpa Nuestra

So, I recently watched Kalpa Nuestra on Amazon Prime Video, and, honestly, a few thoughts crossed my mind. Is this about a moody guy next door named after a Greek god? Or maybe it’s just convoluted? I quickly realized it’s the third film in a Spanish-language trilogy called The Brothers-in-Law, which, I must say, gets pretty confusing. There’s even a fourth book, but it’s essentially the same story — just in English. To set the stage: the first in the series is Kalpa Mia (translation: It’s my fault), then you’ve got Kalpa Tuya (your fault), and now this one, Kalpa Nuestra (it’s our fault). It’s all meant to be a continuous saga, though the English remakes don’t really count. At least, that’s what I gathered.

Now, let’s talk about the characters. Noah (Nicole Wallace) finds herself seated next to a charming guy on a flight home. But, oh wait, isn’t that his ex-girlfriend causing a stir? And then there’s Nick (Gabriel Guevara), who appears to be a big deal, gracing the cover of Forbes. I mean, it’s been a while since Kalpa Tuya, and a lot has happened. Nick now runs his family’s massive business empire—including a law firm, hospital, and even a corner weed shop. Meanwhile, Noah has been through a rough patch in college, topped off with a cliché graduation scene that feels like a waste of a budget.

So, Noah returns home — but where is home, exactly? I think it’s Ibiza, but my mind drifts to thoughts of a bustling city. Regardless, it’s a dreamy Spanish landscape filled with, let’s say, soft-core moments. Yes, like, twice in 112 minutes! This time, she’s attending the wedding of her best friends Jenna (Eva Ruiz) and Lion (Victor Valrhona), reportedly costing around 900 grand. Noah is the maid of honor, and Nick is the best man. You might remember the tension between them from the last film, but if you’re like me, recalling all those small details from mediocre movies can be a challenge. So, the wedding planning becomes awkward, leading to a cringe-worthy car ride where Noah and Nick engage in a tense game of passive-aggressiveness through the car windows. It really begs the question of how did Daniel Day-Lewis snag that Oscar?

As the wedding reception wraps up, our leads find their way to their hotel rooms. Yes, it’s at the 21-minute mark, which means things are just starting to heat up. You can expect some more, ahem, encounters later on. Yet, the entire plot is a bit of a head-scratcher. Nick gets paired with Sofia (Gabriella Andrada), who seems to accept him despite everything, and Noah ends up stuck in a dead-end job at a tech company owned by that cute guy she met on the plane. It seems like a rom-com setup, but Nick ends up wanting to buy a stake in the company, complicating things further. And then, on top of all this, Nick discovers his mother is gravely ill, which adds another layer of distress.

Things escalate absurdly in the last act, as if the filmmakers decided to throw everything at the wall and see what sticks. There are random plot points involving blackmail, a long-lost ex, and even a dramatic car chase—yes, really. It makes you want to hide in a ditch until it’s all over.

The characters are thoroughly unlikable, and Nick has really outdone himself in being an awful person. He fires employees to prove a point to his dad, plays with the feelings of sweet Sofia, and shows utter disregard for Noah’s individuality. But, for reasons unknown, she can’t help but be drawn to him. It’s almost baffling how these characters are both emotionally vacant and yet still functioning within the narrative. I can’t help but wonder if this reflects poorly on the real-world dynamics of privilege and expectation—though honestly, it’s hard to relate to any of these people.

Every cliché in the book makes its appearance towards the end, wrapped up in a chaotic finale that seems to cram as much drama into a tight timeframe as possible. Seriously, it leaves one feeling a bit dizzy. At this point, I don’t know whether to be invested or just perplexed by what’s unfolding.

In conclusion, sure, these movies serve as guilty pleasures, albeit with a hefty dose of eye-rolling. If you’re looking for something fun—and not necessarily good—this could satisfy that craving. But honestly, you might want to skip it.

How to watch Kalpa Nuestra (It’s Our Fault)

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