Amy Sherald’s latest exhibition, titled “American Sublime,” has recently launched at the Whitney Museum in New York City and is set to move to the Smithsonian National Portrait Gallery in Washington this fall.
Her renowned portrait stands out—evoking power, dignity, and a deep sense of identity. It underscores the vital role art plays in sparking discussions, especially when conversations about race, identity, and history are particularly crucial.
In this era of shifting alliances and political ambiguity, the freedom of artistic expression transcends cultural significance. It serves as a key instrument of soft power, fostering trust, encouraging dialogue, and enhancing our influence in ways that conventional diplomacy often fails to achieve.
From my own experience, I can say this. When I took on the role of US Ambassador to Portugal in 2022, I didn’t follow the usual path of the foreign service; my background was rooted in art. I first encountered Sherald when she won the Outwimboo Chaver portrait competition while I was serving as a commissioner at the Smithsonian National Portrait Gallery. That was when my admiration for her artistry began.
Her portrayal of Michelle Obama—subtle yet powerful—has become a pivotal piece in modern portraiture, provoking thoughtful discussions among critics, community leaders, and visitors alike. This fall, her exhibition at the National Portrait Gallery will be a significant milestone, reminding us of how art can transcend boundaries of time and geography.
When it was my turn to curate art for the embassy in Portugal, I knew including Sherald’s work was essential. The State Department’s initiative, started under President Kennedy, champions both American and international artists, employing visual art as a diplomatic tool.
We put together a dynamic collection in our residence that showcased the diversity of our nation: artists from Asian, African, Mexican, Jewish backgrounds, and women were all included, fostering a dialogue with Portuguese artists as well.
These notable works ignited conversations at gatherings about identity, storytelling, creativity, and freedom. The walls of the ambassador’s residence transformed into more than mere decoration; they became a living representation of our shared values and the essential discussions we need to engage in.
Witnessing the impact of this exhibition reinforced my belief in using arts and culture to connect communities, encourage dialogue, and enhance understanding. These initiatives, while strategically scaled, have bridged gaps where traditional diplomacy often falls short.
When implemented thoughtfully, cultural diplomacy can bolster national security. When I first arrived in Portugal, after the extended challenges of COVID-19, China’s discourse had dominated the media regarding issues like free speech and women’s rights. My strategy for utilizing cultural diplomacy was to reclaim the narrative and promote American values in public forums.
Now, with my return home, the shifting political landscape underscores the necessity of employing these tools within the U.S., especially as the current administration navigates new policies that reshape transatlantic relations. Conversely, sharing a blend of cultures and creative ideas can significantly strengthen connections among people globally.
It’s crucial for policymakers to continue supporting cultural diplomatic efforts. Artists should persist in their creations. And, well, we should all make an effort to visit the Sherald exhibition at Whitney. Beyond just a testament to individual talent, it highlights the profound impact art can have on our nation’s future.
