Monologue for Trees: A Unique Performance Experience

Enthusiasts of climate change are now taking part in a performance that involves delivering a lengthy 15-minute monologue directly to a tree, exploring the connection between humanity and nature.

One part of the presentation includes a statement like, “We were bringing your ancestors from another part of the world.” Apparently, it reflects on the transformation of once grey urban areas into green, vibrant spaces, celebrating the resilience of these trees. It’s quite poetic, really. Yet, Megan Cossie shared her uncertain thoughts about whether the tree appreciates the attention, suggesting it might just be thinking, “I’ve heard enough already this week.”

Participants—often cloaked in red curtains—are encouraged to reflect on the trees while sharing their monologues. The concept for this performance originated in Brooklyn, New York, back in 2021, and was brought to life thanks to a grant from Peace Studios, a nonprofit focused on social change.

During one poignant moment, a performer asks the tree to share its sentiments regarding climate change. Cossie expressed feelings like “resignation,” and perceived a sense of “disappointment” and “guilt” emanating from the tree. It really makes you pause and think.

Matty Panone, another performer, conveyed a similar message, saying, “I bear the burden of the changes that are harming you. Now, let’s spend these fifteen minutes together.” There’s a certain weight to that sentiment, isn’t there?

Written by scenic designer Dan Daly and performance artist Lee LeBreton, the overarching theme encourages trees to voice their stories. Daly mentioned to the publication that it is about letting trees articulate their needs and perspectives.

LeBreton, who identifies as a queer, trance experimental theatre maker, has passionately advocated for marginalized voices, particularly in her work with LGBTQ youth. Her endeavors extend beyond this project, with contributions to various artistic initiatives aimed at empowerment.

Daly is also involved in innovative projects, such as an “Inflatable Theatre” exhibition and has been a part of events like the Criminal Queerness Festival. The creative energy surrounding these works is palpable.

As LeBreton aptly summed it up, the hope is for audiences to leave not seeing themselves as the apex of nature but as part of an intricate ecosystem. It’s a thoughtful perspective that invites deeper reflection about our role in the larger environmental narrative.