Today I want to talk about the methods being deployed to keep Black Americans unrelentingly loyal to the Democratic Party.
It’s called “The Method,” and it’s an immersive and convincing form of acting that requires performers to get into character even when they’re away from the camera. It is considered the highest and most powerful form of acting.
Black people are rewarded and celebrated based on their ability to always be themselves.
Daniel Day-Lewis used it to play Abraham Lincoln, winning him an Oscar and being widely regarded as America’s best actor.
Comedian Dave Chappelle speaks funny story About meeting Jim Carrey while filming Man on the Moon, a biopic about the life of eccentric comedian Andy Kaufman. Chappelle never spoke to Carey. He encountered Carey doing a Kaufman impersonation.
Most Americans probably believe that Marlon Brando invented the art of method acting. Brando’s performance in his late 1940s Broadway play A Streetcar Named Desire popularized this acting style, but the method’s origins date back to 1898 at the Moscow Art Theater in the Soviet Union and at the Moscow Art Theater. It goes back to its most prominent proponent, Vladmir Lenin.
Konstantin Stanislavsky, a performer at the Moscow Art Theater, developed and perfected this method. He and a troupe of Russian actors appeared on Broadway in his 1923. New Yorkers fell in love with the Russian troupe. Several of Stanislavski’s followers stayed in New York and taught the method to American actors.
I mention this to remind you of the influence of Marxism on Hollywood and acting. Russian communists taught Americans how to act and how to powerfully present fiction as reality.
When you turn on the TV, sit down in the theater, open your laptop to watch YouTube, unlock your smartphone and browse social media apps, you are influenced by Method.
The Matrix is a stage. We are fed and paid to perform.
The alliance between Hollywood elites and the Democratic Party explains why this method is such an effective tool in controlling the voting habits and behavior of Black Americans.
The film, television, and music industries, along with American academia and business, have assigned black people a specific role as victims. We are rewarded and celebrated based on our ability to always be ourselves.
Let’s take an example. Black people know that law enforcement is not committing genocide against Black men. But we also know that there are immediate and huge rewards for pretending that police are a bigger threat to black men than gang violence.
Dr. Dre, Eazy-E, and Ice Cube — the most high-profile members of the rap group NWA — earned millions of dollars and rose to prominence with their performances of the song “F*** tha Police.” Ta.
Here’s another example. Dexter ReidA young man in Chicago opened fire on police officers, hitting one officer and firing a total of 11 shots. The police officer understandably panicked and fired 96 shots at Reed, killing him.
Reed’s mother and other family members have seen multiple black families receive millions of dollars in lawsuits after police-involved shootings, so if they can paint Dexter as a victim, I know that I have the potential to earn a huge salary. They also know that the media will support their performance. CNN was the first major television network to give Reed’s family a platform to portray him as the victim of an unwarranted traffic stop.
What’s more, Reed’s family knows that Chicago’s Democratic politicians are willing to fork out millions of taxpayer dollars in a lawsuit. Chicago Mayor Brandon Johnson intends to fully condemn the police who responded to the shooting of Dexter Reed.
The false narrative that police randomly kill black men is a major selling point of the Democratic Party platform. Democrats have convinced black people that our safety and freedom depend on keeping Republicans out of power. They put talented and dedicated actors on TV shows to promote the lie that slavery and Jim Crow laws, which the Republicans defeated years ago, would be reinstated as soon as the Republicans returned to office. I’m letting him appear.
Method the work.
Black people see themselves as victims. Many of us spend our days looking for signs that we are victims. We stay in character even when we’re away from the camera.
“If you’re ready, you don’t need to be ready.”
If you keep playing the character, you won’t be able to identify with the farce. Moreover, we can benefit by ignoring the farce and maintaining character. We are paid actors.
We get paid through litigation, promotions, diversity recruitment, and social impact. Black people who choose to destroy their personalities and live in reality become social outcasts and unfit for leadership.
Historian and economist Thomas Sowell is one of the smartest people in American history. He overcame incredible hardship. He has written thousands of in-depth columns and his more than 50 books. Mainstream media ignores or denigrates him. Al Sharpton, on the other hand, is corrupt, vulgar, unintelligent, and has accomplished virtually nothing in his 40 years as a public figure. He is a confidant of the president and a TV and radio talk show host. He makes millions of dollars as a victim law actor.
Can the method be stopped? Only by a religious revival. Victimhood cannot coexist with sincere belief in the birth, life, and resurrection of Jesus Christ. Lies cannot survive the truth of Jesus Christ.
