Reviving a Classic: The Return of a Beloved Series

For some time, the 00S Protoreaties series, which was envisioned as a contemporary take on Pygmalion, held a special place in hearts. It featured folks trading their usual professions for entirely different ones—think decorators diving into the world of fine art or ballet dancers switching to wrestling. The focus was on gaining new skills, but more so, it was about stepping into unfamiliar lives, sparking a delightful clash of cultures mixed with subtle class tensions.

Like many cherished TV shows from years gone by, this one is getting a reboot. Often, such revivals seem lackluster, leaning heavily on nostalgia rather than originality to draw viewers in. Perhaps that’s how they initially capture attention? But “fake it” still packs a solid premise, brimming with the old charm that could resonate even more in today’s more intense climate than it did in the early 00s.

In the premiere episode, we meet Rex, a public school student turned luxury property salesman in London, who tries to reinvent himself as a Bolton market trader. Watching Rex go from posh penthouses to selling ribs at a market is strikingly funny. The show plays with class differences—Rex finds himself in the North, where he hilariously admits he doesn’t even know where Bolton is located. He shares a drink with an old friend, recalling more glamorous times, but it’s clear he’s ready for the challenge and is aware of his fortunate background.

Once at the Bolton market, Rex is mentored by Tony and Elliott, who guide him through selling meat from stalls. Their cheerful camaraderie is infectious, and by the end of his training, Rex sets up his own butcher stall. In a comical twist, he attempts to convince three market inspectors that he’s been doing this his whole adult life, all while offering steaks and chicken wings at rock-bottom prices.

The main hurdle for Rex isn’t just acting like a market trader; he also has to fit in as if he’s from Bolton. He’s eager and hardworking, yet there seems to be an extra push to adopt local accents for added drama. Honestly, it would be hilarious to see a Southern charm go awry during a pub quiz in Bolton, trying to navigate between accents that land somewhere awkwardly between Newcastle and the Caribbean. If you really want to catch the spirit, maybe just say, “Ya big bad bastard.”

While modern reality shows thrive on conflict and drama, “fake it” relies on crafting engaging tasks that require camaraderie. It feels like a relic from the 00s, alongside low-rise jeans and velour tracksuits. It’s surprising that it still works, especially now when we have shows that exploit treachery and emotional stakes to capture viewers.

Yet, “fake it” feels relevant, perhaps even more poignant today than during its original run. Class divides are sharper than ever, and we inhabit echo chambers where our beliefs go unchallenged. To understand the real essence of our societal divisions, one might suggest that tech companies, which are becoming central to our lives, deserve scrutiny—if only someone would take note.

Still, if the bar for light entertainment isn’t set too high, there’s a refreshing idea here: people from different walks of life can come together, find success, and entertain along the way. The original series had notable episodes that showed how participants’ lives transformed, and it would be great to keep that tradition alive. I’d be curious to see how Rex fares in his next market adventure!