President Trump often labels any unfavorable coverage as “fake news,” even when the facts are correct. Recently, the Smithsonian Society museum has seen a significant transformation, aimed at promoting a version of American history that minimizes its flaws.
This type of revisionism is, frankly, alarming. It echoes the themes found in George Orwell’s dystopian novel “1984,” where a totalitarian regime distorts facts, censors media, and rewrites history to fit the narrative of a powerful leader known as Big Brother.
Much like an authoritarian ruler, Trump seems to aspire to this level of control, enlisting a top American figure to decide what should be exhibited at the National Museum.
His impulse to dominate is evident. Rather than welcoming diverse viewpoints, he insists that the media showcase his preferred narratives. This extends beyond mere display; he has taken steps to sue the press and limit access to his administration, reminiscent of foreign leaders who impose tariffs or restrict educational funding.
Additionally, he has deployed National Guard troops to major cities for what he deems emergencies, initiating what he describes as the largest immigrant deportation program in U.S. history.
Republicans in Congress have largely surrendered their role as a check on Trump’s authority, complicity leading to what some critics call an authoritarian democracy, at least until the opposition regains power.
Trump is pushing for a narrative about America and the world that aligns with his vision—one that glosses over significant issues like slavery, the mistreatment of Native Americans, Japanese American internment during World War II, and various other injustices throughout history.
In a letter dated August 12, sent to the Smithsonian’s Secretary Ronnie Bunch, administration officials requested a “comprehensive internal review” of the museum’s exhibitions. The aim is to promote an America-centric perspective while eliminating what they deem divisive narratives and ensuring adherence to the president’s directive to rebuild trust in cultural institutions.
This review covers not only current and future exhibitions but also educational resources, with particular emphasis on preparations for the 250th anniversary of the Declaration of Independence. They are looking to assess the tone and historical framing of content to see if it aligns with “American ideals.”
A previous Presidential Order from March condemned what Trump calls a “coordinated and widespread effort to rewrite our country’s history” as fundamentally flawed. Subsequently, Vice President J.D. Vance announced a mission to eliminate what they consider “inappropriate ideology” from all Smithsonian museums and affiliated research centers.
But really, what falls under “inappropriate ideology”? It appears to be whatever Trump disapproves of.
The letter also instructs the museum to provide documentation of its collections, demanding that within 120 days, any needed modifications be made to replace contentious language with a more unified historical account.
This Orwellian approach towards museum governance isn’t necessary for determining how history, science, and art are presented at institutes as prestigious as the Smithsonian. The experts there are trained in their subjects and come from nonpartisan backgrounds.
By attempting to end diversity and inclusion initiatives, Trump has signaled his desire to shape American history to deny systemic racism and downplay the legacy of slavery.
On the other hand, the National Museum of African American History and Culture focuses on narrating the experiences of Black Americans, including their struggles and triumphs in various sectors. This is crucial knowledge that every American should understand.
Ultimately, the President cannot dictate what should be exhibited at the African American Museum or any other institution.
Moreover, Trump’s meddling sets a troubling precedent. Will museums now have to redesign exhibits at great cost every time the presidency changes hands to align with whoever is in power?
I do believe, like Trump, that the U.S. is a remarkable country, and I feel fortunate to live here. However, claiming that America is perfect simply isn’t accurate. There isn’t a flawless nation on earth.
The President has plenty on his plate to manage. Overseeing the exhibits at the Smithsonian shouldn’t be one of his responsibilities.
