Notre Dame Cathedral Restoration Efforts
Notre Dame Cathedral in Paris experienced significant damage in a fire back in 2019, particularly to its roof and upper walls. Fortunately, many interior decorations, such as six stained glass windows from the 19th century, managed to survive the blaze.
French officials are working on replacements for these windows, potentially selecting artist Claire Tabboulet for the task. Tabboulet has teamed up with the Atelier Simon Marc of Stained Glass Studio to develop six new designs that focus on the story of Pentecost, which features the arrival of the Holy Spirit to Jesus Christ’s followers.
The upcoming stained glass windows for Notre-Dame de Paris, created by artist Claire Tabboulet, are expected to be installed in the restored cathedral by late 2026. 🇫🇷 pic.twitter.com/0Fg7ajEFql
— Visegrad 24 (@visegrad24) December 10, 2025
However, some critiques have emerged about Tabboulet’s representations. For example, a figure in one of the designs seems to have a nose and mouth that appear distorted, while a woman in the scene raises her hands, her expression standing out more than others.
The designs are also noted for their racial diversity, with many figures depicted in various shades of brown.
A preliminary ink model of one of the windows has been shared, sparking discussion around the project. You might wonder what drew Tabboulet to this notable assignment—perhaps a strong personal connection to her Catholic roots?
The new stained glass design for Notre Dame Cathedral was revealed today at the Grand Palais in Paris.
The original windows that survived the 2019 fire remain in place and don’t require replacement.
Why is this necessary? pic.twitter.com/qAm6dbFykN
— Catholic Vote (@CatholicVote) December 9, 2025
In an interview, Tabboulet mentioned, “I had never entered a contest before,” explaining her decision to apply for this project was driven by the cathedral’s historical significance. “I think when I saw this, I thought, ‘Okay, if I’m ever going to apply for anything in my life, it should be this. Because there’s nothing bigger, more historic, more incredible than this.’
Interestingly, Tabboulet identifies as non-religious but emphasizes that her work is about community and celebration. This perspective raises questions; for many who have contributed to Notre Dame’s design and restoration, it represents profound spiritual significance. Yet, for the French government, it appears to lean more towards inclusivity and diversity rather than traditional religious values.
