The widely publicized “South Park” special titled “Joining the Panderverse” was yet another series of shots fired at Disney and its executives for bringing out woke content.
The latest work by Matt Stone and Trey Parker includes two main storylines. The first is that an alternate universe exists where all the characters in South Park’s town have been replaced by “diverse women complaining about the patriarchy,” including a 10-year-old boy.
The inclusion of alternate timelines is a nod to Marvel’s consistent reliance on alternate timelines and multiverses, which allow writers to change the fate of characters or bring back old actors for new movies. It’s a nod.
Early in the episode, Cartman switches timelines, placing him as the only “white boy” in a world of diverse women, but with a black woman, Cartman, in his world.
The plot centers on Disney president Kathleen Kennedy deciding to take revenge by increasing the level of diversity in response to hate mail about her film. The harsher her complaints, the more she responded with variety in her films.
This story reveals that Kennedy was obsessed with pandering instead of coming up with new stories. She often relied on a type of artificial intelligence to come up with plots, so the idea for every movie boiled down to “put a chick in it and make her gay!” .
As Cartman tries to escape from Kennedy, the story jumps back and forth, showing Cartman’s version of Kennedy wreaking havoc on Disney.
When other board members request a “different route” than what was done in Indiana Jones, Cartman/Kennedy responds with the oft-used catchphrase, “Fuck Indiana Jones! Put a chick in there! Get her.” Make him lame and gay,” he yells. ! ”
The second plot begins with Stan’s father teaching his children how to fix things around the house.
Randy tells Stan and his sister Shelly, “What I’ve noticed lately is that young people these days don’t know how to give a shit.” “You’ve got cell phones and AI, but your kids haven’t been able to actually do anything.”
To teach kids how to fix an oven door, Randy explains. “It’s very simple. To make the oven door more secure, you have to tighten the hinges. So all you have to do is take out your cell phone and call your handyman.”
It becomes clear that the men in town have no idea how to solve anything, and that lawyers, accountants, and even Randy the geologist are no longer of any use, relying instead on a small group of increasingly rich handymen.
Unemployed professionals blame education and the Internet for their loss, and carry out a plan to destroy the local university.
Meanwhile, Cartman’s friends are forced to deal with a new version of Cartman, and when they don’t like it, they are accused of being racist and sexist.
“You don’t like that Indiana Jones has been replaced by a woman, do you?” The principal chastises the boys. “Black Spider-Man might have a problem too!”
Disney executives team up with a group of boys (and a strong black woman) to close the portal between the two worlds, while Randy continues to search for someone to fix his oven.
While much of the attack is on point, this episode seems to give woke propaganda a bit of a pass, perhaps explaining why attacking woke movies is too much of a cultural focus. ing.
The ending of Randy’s problems isn’t a didactic moment, but the episode’s final scene lacks the typical punch seen in past specials.
Ranking in “South Park” special featureGo God Go“”imagination land,” and “cartoon war“Joining the Pandaverse” unfortunately ranks towards the bottom.
However, it does include some hilarious short segments that suggest it would have been better as a regular length episode.
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