Bullyache’s Who Hurt You? review – a messy self-assured world of glitter and sweat | Dance
a Described as a cross between Kenneth MacMillan’s 1974 ballet Manon and Paul Verhoeven’s cult film Showgirls, the show is a must-see for its two tales of women using physical attractiveness as their only currency. Breeche’s Who Hurt You? is not as neat a concept as its description suggests, and is as messy as a […]