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The week in theatre: Shifters; The Human Body; Nachtland – review | Theatre

IIf I were running a London theater, I would appoint Lynette Linton as artistic director of the Young Vic, where Kwame Kwei-Armah recently announced his resignation. Linton let Busch shine during her five-year run while showing off her stellar performance at Nationals (Blues in the Alabama sky) and Donmar (Mr. Clyde). She barely hid her […]

The week in theatre: An Enemy of the People; King Lear; Double Feature – review | Theatre

LLike the dramatic TARDIS, Henrik Ibsen’s play about whistleblowing, deep power, and populism collapses over 142 years to arrive at today’s tarnished principles. A dynamic, modern revamp starring the wonderful Matt Smith. enemy of the people by director thomas ostermeyer Works of Schaubühne, Berlin (English version by Duncan Macmillan). This work tweaks Ibsen’s feminism and […]

Shed: Exploded View review – love, loss and horrific male violence | Theatre

PHobie Eclair-Powell’s disturbing new play is defined by dislocation. This is because she overlays conversations in the broken exchanges between her three central couples: Abi and Mark, her student lovers. Lil and Tony were married several times. And the generation in between, Naomi and Frank. The conversation abruptly switches from one pairing to another, echoing […]

Of death – and laughter: how to write plays in Ukraine during wartime | Theatre

IIn the Studio Theater, tucked away in a courtyard behind Kiev’s main Khreshchatyk Street, six playwrights and six directors developed the difficult question of how to write a play about war during wartime. was. One of the unexpected outcomes of their workshop was through jokes. “In Ukraine, it is very important for people to laugh […]