Smithsonian’s Controversial Exhibits
The Smithsonian Museum is renowned for its vast collection of treasures, but it also has its share of questionable displays.
A recent overview highlighted some of the more bizarre aspects of the Smithsonian, pointing to incidents during Donald Trump’s administration that raised eyebrows. (Related: Efforts to reduce propaganda in U.S. parks and historical sites)
Take, for instance, an infographic that defines elements of “white culture,” listing traits like “hard work,” “independence,” and “being polite.” It’s not hard to see why this might be controversial.
The National Museum of African American History and Culture has pointed out certain cultural markers of whiteness, including individualism and respect for authority. (via @RPWWilliams)
You might not need me to elaborate on that point.
It’s curious how values attributed to “animated Latino and Latino with disabilities” compare to those of white culture. A program showcasing various Latino experiences features diverse representations, including those who are plus-sized or differently-abled.
To be fair, a man in a serious outfit might be dismissed unfairly if judged solely on appearances.
Latinos without barriers are represented too—like a painting proudly displayed at the National Portrait Gallery, depicting a family daringly crossing the U.S. southern border. The imagery is complex; one child appears Asian, while another is blonde, leaving viewers with many questions. (Related: Decades of racial discourse influence leftist viewpoints)
Three cheers for cross-border narratives, I suppose.
Those curious about the themes of homeland security in a so-called “immersive, feminist, sacred aquatopia” may want to check out a current exhibit at the National Museum of African Art.
The exhibit portrays a fantastical underwater kingdom inhabited by spirits, including pregnant women who met tragic fates at sea. It’s an unusual take on storytelling.
Imagine being in that pitch meeting: “Think Atlantis, but with a darker twist.”
After the museum attempted to alter a statue for its free exhibit, the artist took action to reclaim their work. https://t.co/9gerkbh9aw
It feels like a similar strategy might have been employed in a project proposing a “Statue of Liberty” reimagined as Black and Trans. Just a thought.
I’d love to delve further into this topic, but there are countless examples to consider.
Another notable project at the National Portrait Gallery involves artist Hugo Crosswaite, who is creating stop-motion pieces highlighting Anthony Fauci’s career. One has to wonder—will it capture more than just the surface? Likely not.
This particular kind of “art” seems to be useful in two ways: as questionable décor or a reminder of some peculiar cultural moments we’ve experienced as a society.
