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Sandler content to remain with original romantic partner for ‘Gilmore’ sequel

Sandler content to remain with original romantic partner for 'Gilmore' sequel

Adam Sandler’s New Project

There’s a lot to love about Adam Sandler. He seems to embody the good guy vibe in Hollywood, which is refreshing. He’s open about his Jewish faith in his work—a rare sight in mainstream comedy.

When he’s working on a new project, he often brings his famous friends along. It’s interesting to note how seldom he and Rob Schneider actually appear together on screen; loyalty means a lot to him.

In his latest endeavor, “Happy Gilmore 2,” Sandler tackles Hollywood’s ageism. The film brings back several cast members from the 1996 original, including Christopher McDonald, known for his role as Shooter McGavin. It also stars Sandler’s longtime partner, Virginia Venit.

Interestingly, at 55, the former “Modern Family” star was hoping to have a younger actress beside Sandler this time around, which is kind of how things often work in Hollywood.

However, Virginia got the call to reprise her original character. Even though her screen time might be less, Sandler reassured her of her significance to the film.

“You’re at the heart of the film,” he told her, which is quite heartwarming.

Some may not see Sandler as a champion against industry standards, but perhaps they’re unaware of his personal life. He’s been married to Jackie Citone since 2003, and they share two daughters, which is, well, more than many in Hollywood can say.

Katy Perry’s Tour Troubles

Could things possibly get worse for Katy Perry? Critics haven’t held back on her latest album, and clips from her current tour haven’t gone over well on social media either. To add to that, she and Orlando Bloom recently parted ways.

Her latest setback? During a concert in Adelaide, Australia, she found herself precariously clinging to a malfunctioning stage prop that had her suspended in a sphere. Technicians rushed to assist, while she managed to hold on through it all.

Fortunately, she wasn’t hurt, but it surely had to dent her self-esteem.

George Takei’s Political Shift

Ah, George Takei! The beloved actor has chosen to step away from his iconic Sulu role from “Star Trek” to focus on criticizing Trump. His latest comments reflect a harsh critique aimed at CNN, referring to it as a “liberal holodeck.”

He went so far as to compare ICE’s deportation tactics to the internment of Japanese Americans during World War II under President Roosevelt, which, frankly, isn’t a fair comparison.

Takei himself was one of those Japanese Americans affected during the war, and he even wrote a play about those experiences. It’s somewhat disheartening to see him use those memories merely to paint Trump as the villain.

Dan Rather’s Media Controversy

Then there’s Dan Rather, who seems like the last person who should discuss his $16 million settlement with Trump regarding the CBS editing scandal. This reporter is known for alleged fake news about George W. Bush during the 2004 election.

Despite a ruined reputation, he’s never backed down. The 2016 film about the controversy sought to portray him in a redeeming light, asking viewers to trust that he got the story right.

Ironically titled “Truth,” it’s typical of Hollywood to twist narratives.

But, you have to wonder—what does he really know about journalism?

Celine Song’s Perspective on Rom-Coms

What about patriarchy? Celine Song has made waves with her latest film, “Materialist,” which, while not a typical rom-com, still plays in that arena.

It’s good to see some new takes, but her assertion that patriarchy has killed the rom-com genre feels a bit off. She insists that toxic masculinity sidelines this type of film, dubbing them as merely “chick movies.”

But people still love love stories! Icons like Tom Hanks and Meg Ryan have simply moved on from the genre. New offerings tend to lean toward more complex themes, like “How to Lose a Guy in 10 Days,” which focus on desire over love.

Even younger leads have shot for romantic glory; take “Everyone You,” which featured a captivating duo in Glenn Powell and Sydney Sweeney, raking in an impressive $220 million. Sure, blaming the patriarchy is an easy out, but maybe Hollywood needs to take some responsibility too.

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