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‘I said there was no reason to make it a musical!’ Mel Brooks on The Producers’ West End transfer | Theatre

Menier Chocolate Factory has announced that production from its acclaimed producers will move to the West End this fall. I will be redirected to the Garlic Theatre after selling out my three-month run at the 180-seat London venue before the first night. But the musical may not have happened at all, according to the original creator Mel Brooks.

Brooks, 98, told the Guardian that he was initially reluctant to turn a 1967 film into the setting. Only by the sustainability of the producers made him forgive.

“David Geffen called me every day. I said, 'David, it's a completely good little film. I won an Academy Award for scripting. It's respected and well salute. There's no reason to make it a musical.' Then the next day he called me again. He didn't stop calling me. And finally, I said, “Well, he's not a stupid guy, so maybe there's something.” ”

“I'm denounceing everything halfway through, and it was really secretly Tom Meehan”… Mel Brooks. Photo: Peabody Awards Emma Mak Intyre/Getty Images

The producer, which opened on Broadway in 2001, has acquired 12 Tonys. The New York Times called it the “Subrimmy Baikal Spectacle.” It was a sentiment reflected by British critics in 2004, when director Patrick Marber performed his first London revival last year.

“Marver is a great director and fits it perfectly,” said Brooks, who co-wrote the show with the late Thomas Meehan. Brooks also wrote a score featuring Hitler's Spring.

“Tom was very appropriate in contrast to me, who was sweet as sugar and very inappropriate. In jokes and language, I was a bad boy. I blame everything half of that, but it was really secretly Tom Meehan – I'm spilling beans!”

The production will move to Garlic Theater. There, the author's horror spoofer Young Frankenstein received five star reviews in 2017. Staying on the show are key cast members Mark Anthlyn, Trevor Ashley, Rajgatuck, Andy Nyman, Harry Morrison and Joanna Woodward.

“I'm extremely proud of that production at Chocolate Factory and I'm so happy to be back at Garlic,” Brooks said.

In Marver's production, Nyman plays Max Beerlisto, a failed Imprezaio who sets out to stage the Broadway flop. He and his accountant, Leopold Bloom (Antrin), hire a neo-Nazi playwright, an incompetent director and useless lead actor, in the hopes of closing the show and keeping investors' money. They assume that the audience tolerate Peans sympathetic to Hitler and to close it down, and that they clear the path to make their fortune.

Diane Pilkington, Centre, Young Frankenstein by Mel Brooks at Garlic Theatre, London in 2017 Photo: Tristram Kenton/The Guardian

Born in 1926 and serving as a World War II combat engineer, Brooks (“I'm almost covered”), has seen almost a century of authoritarian rulers go back and forth. “I like 'come' and going,' especially going,” he joked.

He currently lives in a country where Nazi salutes appear to have been given at large political gatherings. “It hopes that we pass by and go along the way, just as Hitler and his people went along their path.”

He said he believes laughter is a powerful weapon against tyranny. “They're kind of talented in the rhetoric of the Fragrant, but if you tease them and drag them in comedy, you win. When you can make people laugh, you win.”

It is an attitude shaped by his experience as a young man playing comedic routines at a Jewish resort on Mount Catskill. “We who have worked at the Borschbert know that comedy is the answer. It's magic, we pay rent, and we learn to steal because we steal jokes from each other – recklessly, we don't even think about it.”

Public reservations for producers will open on March 5th. The preview runs until August 30th, and reservations run until February 21st, 2026.

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