Mark Strong and Lesley Manville deliver a powerful performance in an intense Broadway tragedy
Oedipus
2 hours, no break. at Studio 54, 254 W. 54th St.
Adapting “Oedipus” into a modern context might seem challenging. It’s tough to envision the legendary King of Thebes facing the same kinds of issues today. Even if, theoretically, someone ordinary found themselves in a similar predicament, I think it would just turn into a wild episode of “Maury.”
But British writer-director Robert Icke has pulled off a remarkable revival with his reimagined version, currently starring Lesley Manville and Mark Strong, which premiered Thursday at Broadway’s Studio 54.
And, you know what? It works.
According to Icke, Oedipus is on the verge of becoming Prime Minister with an election on the horizon, drawing intriguing parallels with modern politics.
A lot of these themes have been part of the story for over 2,000 years, but they just needed some tweaking by “The Doctor” and the talented crew behind Park Avenue Armory’s “Oresteia.”
Oedipus’ challengers, who are quite powerful, delve into the complexities of his birth. It’s something we can relate to today, isn’t it? Plus, the noticeable age gap between Emmanuel Macron and Brigitte, played by Manville, adds an extra layer of intrigue.
Furthermore, the haunting scenes that unfold in the second half evoke thoughts of Ted Kennedy and Chappaquiddick.
So, we quickly become unfazed by things like a character named Creon donning a business suit and glancing at the news.
From the outset, Strong gives a stellar performance. He possesses a level of grounding that’s rare among the UK’s recent prime ministers. I mean, Keir Starmer is kind of… bland, right? In mythological terms, Strong’s character stands as the king.
The actor, who shone as Eddie Carbone in a previous play, strikes a balance between dignity and realistic emotional depth.
His chemistry with Manville’s Jocasta, despite its questionable nature, is compelling.
After a long tenure in the UK theater scene, Manville makes a remarkable Broadway debut as Princess Margaret in “The Crown.” She perfectly portrays the supportive spouse who alleviates her husband’s stress while maintaining a firm yet nurturing demeanor.
What makes Jocasta resonate is her hidden uncertainties. Deep down, she senses that today could turn disastrous.
Following the blind prophet Teiresias’ ominous prediction, Manville’s portrayal encapsulates the tension of a fragile crystal glass perched in a bustling bar.
Icke is an artist skilled in dramatic storytelling, yet his shrewdest addition is making this more human.
He frames Oedipus as an ambitious father to Antigone and his sons Eteocles and Polynices, the latter two characters not originally part of the play but integrated here for context. This presence of children amplifies the tragedy, making the conclusion all the more impactful.
Oedipus’ mother Merope also plays a role here, adding layers of gravity and suspense. I mean, let’s be honest; there must be a few folks who don’t know how this classic tale ends, right?
Anne Reid delivers a gentle yet memorable performance as a mother with a risky secret. Everyone in “Oedipus” is wrapped in lies—thinking they’re inconsequential—but the outcome is disastrous.
Reed, Strong, and Manville are captivating during the unveiling of the truth, which shifts Strong’s affable nature into something darker, and Manville’s resilient Jocasta is left shattered by the horrific reality.
I do wish “Oedipus” had found a cozier venue than the large, drafty Studio 54, which isn’t the best fit for intimate theater. The audience was certainly engaged, perhaps even holding their breaths, a rarity for Broadway.
Yet, the silence from the crowd felt spellbinding.
However, I felt the pacing faltered during the final flashback scene. That part, while intended to let the audience breathe after intense drama, felt somewhat unnecessary.
But honestly, what’s a mere minute after two thrilling hours?
The play unfolds in real time within Oedipus’ stylish living room, with a ticking clock counting down to election results. But we know it leads to deeper revelations.
Oedipus is convinced he’ll win.
And yet, I can’t shake off the feeling that he’s destined to lose.
In the end, everyone’s eyes will be opened.
