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Rescued Hamas hostage is turning his pain into art with NYC exhibit

Hamas hostages rescued in a bold Israeli military mission after eight months of “hell” tied to chains, blindfolds and ropes, are now turning his pain into paintings.

Andrei Kozlov of Russia and Israel is launching his first solo art show in Chelsea with an emotional collection that reflects the light-form of captivity, including physical and psychological torture.

Not a Jew from St. Petersburg – moved to Israel 13 months before the Hamas attack on October 7, 2023, and the attack on Israel escaped the inevitable draft of Russia’s Ukrainian war.

Before that move, Kozlov wondered, “What is the chance of a terrorist attack?”

Kozlov was working at the Nova Festival as an unarmed security guard on that fateful day and was captured by terrorists. He was taken to Gaza. Gaza is a journey depicted in Highway to Hell, an unforgettable piece that reminds you of the terrifying car ride with hostage Shlomi Jib.

Andrei Kozlov holds the first oil on a canvas called “Puddle of Memories,” which evokes the blue era of Picasso. Leonardo Munoz

“So Real Srural” Exhibition – Scheduled to open next month Lux Contemporary Gallery – includes dozens of heart-piercing paintings that nod to some of the most influential figures in art, such as Picasso’s Blue Age and Edvald Munch’s The Scream.

“To make something like this, I’ll talk about it for me,” Kozlov told the Post. “It’s another way to tell the story.”

The memory of being continuously shuffled for eight months by a terrorist group is revealed in his abstract The “Maybe” work shows the dark, narrow alleys that Kozlov has routinely moved.

He spends time in captivity and finds a blank sheet of paper that allowed him to get lost by drawing other worlds that he could dream of.

Kozlov described the “gift” that evokes the “screams” of Edvald Munch as “all the pain I felt, the pain that the rest of the hostages are feeling now,” Kozlov said. Leonardo Munoz

“It was just for my soul and to get my heart out of this prison,” said Kozlov, who was rescued along with three other people during the IDF Special Forces mission in June 2024.

The film’s raid by the Elite Commando team involved heavy gunfire and airstrikes to free Kozlov along with ZIV, Almog Meir Jan and Noa Aragmani. She was named one of the week Time Magazine’s 100 Most Influential People of the year.

It was one of his “three birthdays,” Koslov spoke about his rescue and survival on October 7th. “It’s the best day of my life.”

Once I was freed, the blank canvas became the path to healing.

“The other side of the mirror” is Kozlov’s minor phors, and he sees his experience as “looking at another part of the mirror. It’s an absolutely different world.” According to Kozlov, the pink border represents the living “this pink world.” “Life is good, easy, but not for anyone.” “This guy behind the mirror, maybe he’s peering into the future, maybe he’s in real time or in the past,” Kozlov said. Leonardo Munoz

And his story is as New York as the Middle Eastern story. Coming to New York has always been Kozlov’s dream. He is working on collections in Greenpoint and Chelsea spaces after art therapy and rescues to pursue the urban art scene.

Kozlov named this tragic work, “Highway to Hell,” and got into the car, in the back seat, headed to an unknown and terrifying hell as Hamas hostage. “This was before Gaza. This was the moment when I thought he was rescued us,” Kozlov said of the prisoner of war he mistakenly deemed a good Samaritan. The artist listened to a song of the same name while working on his work, and the title was born.
Leonardo Munoz

Emmanuel Friedman, whose gallery holds an art show, said the collection will find a home in the museum “for years to come.”

“By coincidence, I became a symbol of hope,” admits Koslov, who lives in Midtown.

“I have a second chance. I need to use it.”

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