Netflix’s Influence on Film and Culture

Netflix continues to be the leading streaming platform in the world, known for a lineup of films that many consider overtly progressive. These range from the heavily themed climate change narrative of Don’t Look Up to Dear White People, which focuses intensely on identity politics. There’s even a revamped version of Pride and Prejudice which had certain scenes edited out over concerns about potentially objectifying men.

This extensive selection, streamed into countless homes globally, reflects a larger truth: the left’s grip on entertainment is a significant issue. The intersection of culture and politics is important; real change, especially for conservatives, hinges on regaining cultural authority from those whose values clash with their own and the essence of America.

Speaking of influence, take a moment to consider the Oscars.

The Oscars often get me thinking, but this year was particularly disheartening. For Best Picture, contenders included One Battle After Another, which celebrates violent leftist factions, and Sinners, portraying white individuals as literal vampires. Elon Musk criticized One Battle as “brutal” and “woke propaganda,” also commenting on the racially altered casting in Christopher Nolan’s adaptation of The Odyssey, stating that Nolan has “lost his integrity.”

While Musk has challenged bias in filmmaking, it’s clear we need more influential figures to step up. We need conservatives willing to create films that embrace truth, justice, and the American spirit.

There are small, independent film companies with conservative values scattered across the country, but they generally lack the funding needed for high-quality productions and broader distribution. Competing with big-budget Hollywood productions is tough, especially considering the pervasive woke messaging.

It’s worth mentioning David Ellison, a billionaire and Trump supporter, who has made waves in the industry. His production company, Skydance, launched Top Gun: Maverick in 2022, which grossed an impressive $1.5 billion, outpacing both Sinners and One Battle. The film even won an Oscar for Best Sound and received five nominations overall, despite criticism for its positive depiction of the U.S. military.

For other aspiring producers, there’s a clear market for impactful films that resonate with viewers. It’s all about delivering a genuinely remarkable product.

Ellison has since grown his media empire. In August 2025, he acquired Paramount, and just last month, Warner Bros. Discovery accepted his $111 billion acquisition proposal. Once finalized, he will manage CNN, HBO Max, a major film studio, and popular franchises like Game of Thrones and Harry Potter.

Interestingly, Ellison succeeded in preventing Netflix from acquiring Warner Bros. Discovery, which is a relief for many.

Of course, Ellison faces criticism from the left. Senator Bernie Sanders has been vocal about his discontent, and Senator Elizabeth Warren has raised concerns regarding antitrust implications. Clearly, they recognize the threat he poses to their dominant narrative.

With Ellison at the helm, I find hope that the future of American cinema doesn’t get bogged down in endless conflicts over political correctness. If more conservative billionaires decide to delve into Hollywood, the potential is vast.