Li Saumet and Rawayana: A Cosmic Musical Fusion

Li Saumet, the lead vocalist of Colombia’s Bomba Estereo, views her collaboration with Rawayana, a prominent Venezuelan band, as something more than just a strategic business move. She describes it as a “message from the universe.” Sitting next to Rawayana’s frontman, they share an easy camaraderie, often finishing each other’s thoughts as they prepare for their joint performance at the Estereo Picnic Festival in Bogota. Their debut album, titled “Astrophical,” sees Saumet’s vibrant energy harmonizing beautifully with Montenegro’s softer vocals.

The essence of their collaboration is rooted in a desire to reconnect people. The artists feel that in today’s world, filled with harsh headlines and constant distractions, there’s a growing detachment among individuals. Reflecting this sentiment, Montenegro, who won a Grammy Award last year for his work, believes that their music can bring a sense of unity, especially as Venezuela continues to face a humanitarian crisis. However, he has faced backlash from Venezuelan President Nicolas Maduro, who accuses them of slandering the country and its women.

“I won a Grammy, so why is the president talking about me?” Montenegro muses, adjusting his green sunglasses. Currently residing in Puerto Rico, he admits to feeling unsafe returning to Venezuela, recalling that during the making of “Astrophical,” he felt strongly that their music could uplift people amid challenges. “It’s not just the crazy stuff we see; it’s a way to remind everyone of the joy in life,” he adds.

Bomba Estereo rose to fame back in 2008 with their unique Trippy Electro-Cumbia sound, eventually evolving into a well-known pop group known for their Latin Grammy nominations and collaborations with various artists. Meanwhile, Rawayana has made waves for nearly two decades, even receiving a Grammy Award for one of their albums.

Saumet and Montenegro first connected last year, with Saumet initiating contact after tracking Rawayana’s music. They quickly began writing together, producing three songs within days in the studio. Montenegro describes the experience as fun and instinctive.

As they develop their album, each track draws inspiration from constellations, showcasing Saumet’s cosmic interests. It’s a playful environment, filled with tarot cards, incense, and flowers, all of which might have taken Montenegro by surprise, transitioning from a traditionally masculine recording atmosphere. “I think it was a bit shocking for him,” Saumet remarks.

Despite cultural differences, Colombia and Venezuela share a rich tapestry of food, music, and language. As the pair jokingly debates the origins of arepas, they take pride in their connection: “We are brothers,” Montenegro laughs, acknowledging the playful rivalry between their nations. This vibrant dynamic fuels their music, which melds various genres like champetta, afrobeat, and dancehall, often featuring the unmistakable sound of the Gaita flute.

Through their upbeat music, they hope to combat the growing sense of digital alienation. Saumet recalls witnessing a young girl at an airport so engrossed in TikTok videos that she appeared oblivious to the world around her. “At times, we seem like zombies, disconnected from one another,” she observes. “We used to find connection in nature, sharing meals together, but now even at dinner, phones dominate our interactions.”

Venezuela’s ongoing economic and political decline has resulted in one of the largest mass migrations in recent history. Rawayana’s satirical lyrics address the challenges within their country, with the term “Veneca” being both a slur and a badge of pride among the millions who have fled Venezuela. This delicate nuance appears lost on President Maduro, especially after public criticisms from musicians like Montenegro. His band had to cancel their tour due to fears of government retaliation against dissenters.

Bomba Estereo also interweaves political messages into their music, advocating for environmental protection and calling out former Colombian president Alvaro Uribe. Yet, Saumet and Montenegro seem weary of directly addressing politics in their current work, as Montenegro expresses exhaustion over the unchanging state of Venezuelan leadership. “I don’t think they should still be in power, but my music hasn’t changed that,” he states. “I’m just tired of being associated with it.”

Saumet believes they can effect change through other means, stating, “Our aim is to touch hearts and heal the wounds caused by this political theater.”

Despite the turmoil surrounding Venezuela’s artists, many have performed at festivals in Bogota. However, Montenegro is concerned about the next generation facing similar challenges. “It was tough for us to get here,” he reflects, “and talking about politics often leads to trouble.” He recalls how media often focuses on the president instead of discussing their art. “It feels exploitative, and that’s disheartening as an artist,” he adds.

Astrophical, however, seeks a different path. “This is now about sharing love and receiving love,” Saumet shares. “The world is a beautiful place if you choose to see it that way. The message is clear: you are not alone, and we can experience it together.”

The album “Astrophical” is now available, and the duo’s North American tour is set to kick off on May 24 at the Fuego Fuego Festival in Montreal.