Piers Morgan Critiques Roger Waters’ Views on Politics
Piers Morgan has taken aim at Roger Waters, the Pink Floyd frontman, accusing him of supporting terrorists and authoritarian regimes. During a recent episode of his show, Morgan found himself in a heated discussion with Waters, who labeled former President Donald Trump as “crazy” and “evil.”
In the interview, Waters did not hold back. He described Trump as a “real bastard” and expressed appreciation for leaders like Vladimir Putin from Russia and Nicolás Maduro from Venezuela. Waters claimed that Putin was genuinely trying to avoid civilian harm during his military actions in Ukraine. Moreover, he referred to Maduro as Venezuela’s “democratically elected leader,” despite widespread accusations of election fraud against Maduro from both international observers and local critics.
Waters defended his stance by emphasizing the principles of the Bolivarian-Chávez revolutionary process in Venezuela, suggesting it’s an entirely different lifestyle than what people experience in the U.S. or the U.K. He criticized the Trump administration for allegedly creating a “ridiculous story” about Maduro being involved in drug trafficking to justify U.S. intervention in Venezuela, labeling that narrative “false nonsense.”
As the conversation progressed, Waters cautioned Western nations to “be careful what they wish for” in their efforts to oust Putin, implying that his replacement could lead to even greater turmoil.
When Morgan pressed Waters on his comments regarding Putin, Waters retorted that Morgan was uninformed. Morgan pushed back, questioning why Waters continued to live in the U.S. if he harbored such strong criticisms of it and its leaders.
“You talk a lot about America and Donald Trump, but you live in America, right? There’s a clear contradiction there,” Morgan pointed out. He suggested that if Waters were truly opposed to the U.S. and its political climate, he should move somewhere more aligned with his principles.
Waters defended his choices and mentioned his success in the music industry, asserting his moral compass guided him in discussing these issues. However, Morgan challenged Waters’ claims of representing the “voiceless,” positing that his views seemed to align more closely with supporting dictators and terrorists than truly advocating for the oppressed.
In essence, the discussion highlighted a clash of perspectives, revealing complexities in political debates while raising questions about the validity of Waters’ views.





