Steven Soderbergh Embraces AI in Filmmaking
Oscar-winning director Steven Soderbergh is enthusiastic about integrating artificial intelligence (AI) into his filmmaking processes.
Soderbergh, recognized for launching the independent film movement in the 1990s, challenges traditional Hollywood narratives on AI. He recently mentioned, “What’s worth talking about? [AI]. Perhaps if you’re skilled in technology, it can be invaluable. I’ve been working on a documentary about John Lennon and Yoko Ono using AI, which is nearly complete.”
He continued, stating, “AI aids in creating thematically surreal visuals that exist in a dream realm rather than a literal one. It’s quite enjoyable, but it does require significant human oversight.”
Later, he referred to the backlash against his comments as “baffling” and stood by his views.
“I’m not intimidated by AI. My only apprehension comes from ignorance. I felt a duty to explore and understand what AI can do. It’s been an excellent asset for certain segments of the John Lennon documentary, particularly for surreal images that would have been nearly impossible to produce otherwise. In the past, achieving such visuals would necessitate hiring an expensive visual effects team, but not anymore. My goal is to create quality films, and this tool appeared when I needed it. I don’t believe it’s the ultimate solution or a destructive force, as we’re still in the early days. Maybe in five years, we’ll look back and think, ‘Those were the good times.’ It’s possible that the use of AI will diminish over time. While some respected individuals refuse to engage with it, which is their choice, I’m curious. I want to explore this new tool.”
However, Soderbergh clarified that he has no desire to use AI for writing. “Using AI in that context would undermine my role, my passion, and my process. It’s not terrifying to me, but I can’t envision leveraging it creatively in any substantial way.”
His views on AI differentiate him from critics, whom he views as hypocritical. “We all know AI will eventually be utilized, regardless of whether we acknowledge its use.”
He believes the fear surrounding AI stems from a mix of reckless caution and self-interest. Fears that machines might gain consciousness are misguided. Consciousness is inherently human and cannot be replicated artificially.
On self-interest, he argues that the resistance to AI mirrors the concerns of auto workers during the rise of automation. “Nobody wants to see job losses, but progress is inevitable. I relate to this as someone likely to be affected in my role as a writer.”
While he doubts that AI could ever eclipse the creativity of human writers, he acknowledges that while AI can handle basic copywriting tasks, it lacks the essence of humanity and inspiration. AI, like graphics software and word processors, serves merely as another tool for artists.
