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London play will have ‘all-Black’ audience nights to allow experience ‘free from the White gaze’

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A London play is to invite “black-identifying audience members” to two upcoming performances, a move the playwright says will be aimed at groups not traditionally welcomed in the theater environment. It also claims that its purpose is to open up performances.

“In any other circle, that would be illegal and racist,” said a senior Conservative Party member. told the Daily Mail. “I don’t see why not.”

According to reports, playwright Jeremy O. Harris told BBC Sounds he was “very excited” to open ticket sales only to people who identify as black on July 17th and September 17th. “There is,” he said. ”[I]We need to radically invite them through a “you are invited” initiative. Specifically you,” Harris said.

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The show, titled “Slave Play,” stars Kit Harington of Game of Thrones fame. (Getty Images)

This is not the first time something like this has happened. According to a website Regarding the “BLACK OUT” initiative, which Harris started after writing “Slave Play,” it was “intended to be an environment where audiences who identify as all-black can experience and discuss events such as performing arts, movies, and sports.” ” and the cultural space is liberated from the white gaze. ”

“A concept born from” slave play According to playwright Jeremy O. Harris, the first BLACK OUT night was held on September 18, 2019. For the first time ever, all 804 seats in Broadway’s Golden Theater were occupied by a black-identifying audience member at Broadway’s Fellowships, Celebrations, and Recognitions. The rich, diverse, and difficult history of black labor. ”

“One of the things we have to remember is that people have to be fundamentally invited into a space in order to know they belong there, whereas most Western In places, poor people and black people have been told in theaters that they don’t belong,” Harris said.

The London show will star Kit Harington, best known for his role as Jon Snow on the HBO series “Game of Thrones.”

The playwright, who said he grew up in a “working class environment”, insisted this was an important step to take.

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The London play’s decision to invite “all black-identifying audiences” is said by playwrights to be intended to open up performances to groups that traditionally feel unwelcome in theater environments. insisted. (St. Petersburg)

“There are many places in our country where generally only white people live, and no one questions that, and no one said that we weren’t invited to have a black audience here.” said Harris when asked if he felt any discomfort. About other racial groups not being allowed that night.

“The idea of ​​a blackout night is that this night specifically invites black people to fill the space and make them feel safe with many other black people in a place where many other black people don’t feel safe.” ,” Harris said. He also explained that there is a clear difference between “culturally white audiences and black audiences” in their reactions to the play.

“Let’s not pretend we don’t know that culturally white audiences and black audiences react to things differently,” he said.

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