Americans went to the movie this weekend and did so in large numbers.
“Almost everything is up… the domestic box office revenue was “about $146 million,” Report Left and right deadline. “Not only is it the best result of the last weekend of April since the end of Covid, it is also the fourth best overall result. the avengers Weekends 2019 ($402M) and 2018 ($3139M) and 2011, Universal High speed 5 It drove to $158 million from Friday to Sunday. ”
So it was the fourth-largest box office in film history in the final weekend of April.
i am confused.
How is that possible?
I ask this because entertainment media ensured and reassured that the filmmaker was dead and that the rise of Covid and the streaming killed it. What’s even more appealing is the entertainment media have refused to condemn current box office revenue. This is 1) almost all film pollution with unpleasant leftist politics, 2) homosexuality everywhere, and 3) poor quality of the film.
According to the palace guards of entertainment media, the film director’s death was not caused by any of these three things. Acknowledge that in some way it could be one of these three things 1) means that Americans reject your heavy, left-wing political lectures.
Still, we sit here on the fourth greatest final weekend of history in April. If Streaming and Covid were killing the film director, this weekend wouldn’t have been possible. If streaming and Covid are killing box office revenue, you can’t lift the box office revenue, right?
Let’s take a look at the titles that brought you this weekend’s Shocker…
The second weekend, director Ryan Coogler’s grand director sinner It was a legitimate phenomenon, and the original Original broke a record with 6% attendance dropping by 6% compared to the opening weekend. In just 10 days, the Vampire Epic sold $123 million thanks to fiery word-of-mouth reviews.
Revenge of the Sith He is 20 years old and earned $25.2 million over the weekend.
Accountant 2 Total amount of $24.4 million.
Minecraft movies It won another $22.7 million over weekend four, earning a total of $380 million domestically.
If Covid and Streaming is something that kills cinemas, how does our corrupt entertainment media explain this?
They can’t explain that. Because in order to do so, they kill the political lies they manufactured to protect their ideology and their sugar products studios.
So I’ll explain it…
Because 1) they’re not awake, 2) they don’t have any unpleasant sexuality, and 3) they’re pretty good movies.
I’ll criticize anyone sinner To address Democratic racism in Jim Crow South, “wake up” is because the definition of “wake up” is so widespread. If movies about racism are awakened, then yes. Mississippi Burning woke up? Purple, glory, raisins in the sun, rebellious things in the heat of the night? Let’s not be stupid about this. It’s not the theme that awakens, but how it is presented. sinner Don’t break storytelling spells with virtue signals and self-righteous lectures. Thanks to Democrats, racism was a fact of life in the old South. sinner I present it. If anything, I found it sinner The theme of collectivism is indeed Trump’s people. The movie is sexy.
To your people who claim I am against that idea. sinner Because I don’t want to admit that a woken movie can be a hit…and then explain why I’ve always admitted Barbie It was a woken up hit.
Anyway…
How enthusiastic is a normal person to go to movies…?
This is enthusiastic…
20 years old Revenge of the Sithanyone can see it at home by pressing the button, and it has cleared $25 million. Are you responsible? Star Wars Fans who want to regain the experience of seeing them waking up Star Wars Theatrical movie? At least 90% of the people I paid to meet you bet on you Revenge of the Sith I have a copy of this same film at home this weekend. It’s about people missing out on going to the movies.
Accountant 2, The sequel to a film from nine years ago, which was a modest hit, promised a good, old-fashioned period in the film, and was cleaned up because it was delivered.
Unlike streaming Snow happened, Minecraft It’s clearly giving parents and children what they want. This is a good time without toxic identity politics, gay shit, and self-righteous lectures.
When people make movies they want to see, people come out to see them. ah.
Box office has already survived two world wars, 9/11, the pandemic, depression, television, cable TV… how? It’s about feeling something in the film by giving people what they want and what they want. It could be a suspense, or a love of a beautiful movie star, or a touch of eroticism. It could be an explosion of excitement and escapism, a sense of adventure and wonder, or a joy to be feared safely… Movie fans want to enrich their souls, they want to escape real life. What they don’t want is to be humiliated, to be scorned, to be stuck on a self-righteous star, and to bl search for sexuality that finds off-putting.
Yes, once again, box office revenue proves that “experts” tell you everything they’re telling you about the box office death.
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