“Maybe,” Schmeibe.
Sunday night wrapped up with a triumphant conclusion for “Maybe Happy Ending.”
It’s quite an accomplishment for a show that just started its journey.
Chris, the enthusiastic performer, snagged his first Tony for Best Actor in a Musical, contributing to the production’s impressive total of six awards.
True, I get it—their televised performance didn’t quite hit the mark. It felt off, especially given the spotlight. But experiencing “Maybe Happy Ending” in the cozy Velasco Theatre? Just wonderful.
But let’s not overlook playwright Branden Jenkins’ striking drama “Id.” This piece, focused on a black political dynasty, won Best Play. It’s a mix of humor and sharp critique, truly a highlight of the season.
Returning to Radio City Music Hall for the first time since 2022, the Tonys felt invigorated again after a lackluster few years filled with challenges.
Sunday night was exhilarating. Some talented productions got overlooked during the telecast hosted by the “evil” star Cynthia Erivo.
It’s not quite like your typical viewer experience—definitely not the Oscars or even the Super Bowl. However, the Tony Awards have their own flair, celebrating shows in just 41 theaters across a few Manhattan blocks. Quite a feat, really.
What caught attention?
The performance of “For the Gaze” in “Death Will Be Her” with Megan Hilty was both dazzling and funny. Tickets are sure to fly. “Buena Vista Social Club” dazzled with its lively Cuban rhythms, securing its well-deserved Tony. The show’s box office buzz could lead to a solid audience.
Nicole Scherzinger marked a historic moment being the first Tony Award winner to play Norma Desmond in the revival of “Sunset Boulevard.” Her rendition of Andrew Lloyd Webber’s “As if I Didn’t Say Goodbye” truly resonated throughout Midtown.
Lloyd Webber’s success marks his first Tony win in 30 years.
However, the version of “Rose’s Turn” by “Gypsy” star Odramaku Donald didn’t quite hit the nail on the head—it was subpar.
And the lesser-known musicals like “Dead Outlaw” and “Operation Mincemeat” felt a bit out of place on television. Both delve into dark themes, perhaps a bit too niche for the broadcast. It’s kind of a weird vibe.
Surprisingly, “Real Women Have Curves” wasn’t nominated for Best Musical, leaving many wondering why it got sidelined.
It may not be “Hamilton,” but the reunion medley featuring Lin-Manuel Miranda and Leslie Odom Jr. definitely brought a wave of nostalgia.
“This makes me feel old,” a friend texted me. It feels too accurate!
Cole Escola took home Best Actor for “Ah, Mary!” and shared a touching moment recalling fellow competitors, including George Clooney. His speech about enjoying warm salads at luncheons was delightful.
Shiv from “Succession,” Sarah Snook, won Best Actress in a Play for her powerful portrayal in “Dorian Gray Photography.” It’s a role that clearly demands a lot.
Erivo, while hosting, found a balance—utilizing her strengths without going overboard, which was refreshing.
Overall, the 2025 Tony Awards did a splendid job of showcasing the remarkable work from the recent Broadway season.
There are still many of these winning shows to catch. Let’s make a plan to see them!
