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Rabbit Trap review – Dev Patel gets lost in the woods in messy folk horror | Sundance 2025

aRose Bahn's mother who causes stress has caused hell -like panic, and is convinced that the folk horror “Rabbit Trap”, which was set in the 1970s, was unveiled. It is given further to the sandang attendees. In the feature -length debut work of the writer and coach Brin Cheney, the main character's couple may not have their own children, but mysterious local strangers are definitely opposed and preferred. Nevertheless, they will force them into their home.

For a while, Sound Recorder Darcy (Dev Patel) and Alternative Musician Daphne (Rosie McUen) are fascinated by unusual and self -conscious boy (Jade Cruet), who is eager to teach more about this area. I'm intrigued. They moved to a villa in Wales, a remote from London, but both of them were nailed to various sounds of nature, hoping that it would lead to creative inspiration. Cheney is also fascinated as them, and you can easily see why. It turned out that the ASMR of the movie was completely shaken by the surrounding countryside pressure, gust, and shock.

Even before the child begins to teach about the paper between the real world and the fairy world (the terrible flashback of last year's boring horror “Watcher” is a clue) I suspect that something ominous is happening. It didn't take much time. How to be careful not to disturb Tilwis Tegu, a mythic creature that appears in Wales folklore? Giving a dead rabbit to them is not the best sign.

However, the first scene where a couple without children welcomes strangers to the house is the most emotional, and the film is playing with a home thriller. The fact that he joined their lives, why they are not yet their parents, and the question of why they should really do so. The disturbing nightmare and the unpleasant childhood implication implies that he does not think he is a type like a father, and he does not want to share both sadness and problem later. It suggests that it has corruption.

However, Chainy is a little too sticking to what was suggested, and his film slowly solves alienated abstraction. Krut when I was young, reminiscent of a young Barry Corps, was so effectively we wonder why they continue to take root in their homes and their relationships. It doesn't take much time. There was an aggressive and very annoying interrupt early in the morning, and after being thought to be forced to pause the collar, they acted like a teen younger man in a slasher movie. Starting, you will be able to reach out to a clearly signed trouble. Here, as the events change from supernatural fears to more ambiguous, magical and frustrated, they begin to lose us. Both Patel and Makuen are wonderful throughout, but they are suppressed by playing characters with a depth of puddles that we hardly know. This may not be a problem if you are facing a plot mechanism of a more conventional genre, but if the last act requires more emotional investment. , Everything is resolved.

Cheney is certainly good at distracting our attention, sinks his movie into an atmosphere and mood, and offset his half -hearted Hokumu. However, we are not leaving anything after listening more and trying to listen to something more. It is a trap that we can easily get out.

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